{"id":3806,"date":"2025-10-13T11:15:15","date_gmt":"2025-10-13T11:15:15","guid":{"rendered":"https:\/\/www.trans-cen-dance.eu\/?post_type=avada_portfolio&p=3806"},"modified":"2025-12-02T12:19:55","modified_gmt":"2025-12-02T12:19:55","slug":"charly-corp-in-libertate","status":"publish","type":"avada_portfolio","link":"https:\/\/www.trans-cen-dance.eu\/ro\/portfolio-items\/charly-corp-in-libertate\/","title":{"rendered":"CHARLY – Corp \u00een libertate"},"content":{"rendered":"

\u201eCorpul meu nu este nici masculin, nici feminin \u2014 este o form\u0103 liber\u0103, un spa\u021biu al frumuse\u021bii dincolo de gen.\u201d<\/span><\/em><\/p>\n

Interviu realizat de Fabio<\/strong>, pentru proiectul TRANScenDANCE<\/strong> (Fran\u021ba, 2025)<\/span><\/p>\n

–<\/span><\/p>\n

Introducere<\/strong><\/h4>\n

<\/h4>\n

\u00cen cadrul proiectului european TRANScenDANCE, care eviden\u021biaz\u0103 experien\u021bele \u0219i c\u0103l\u0103toriile arti\u0219tilor trans \u0219i non-binari \u00een artele performative, \u00eel \u00eent\u00e2lnim pe Charly, un artist non-binar \u0219i model de via\u021b\u0103.<\/span><\/p>\n

Prin intermediul corpului \u0219i al practicilor artistice, Charly pune sub semnul \u00eentreb\u0103rii frumuse\u021bea, libertatea, privirea \u0219i deconstruc\u021bia normelor de gen \u00een art\u0103.<\/span><\/p>\n

M\u0103rturia lui ne poart\u0103 ad\u00e2nc \u00eentr-o reflec\u021bie sensibil\u0103 asupra reprezent\u0103rii corpului, a toleran\u021bei \u0219i a puterii transformatoare a artei.<\/span><\/p>\n

<\/h4>\n

–<\/span><\/p>\n

<\/h4>\n

A fi un artist non-binar: Activism prin art\u0103<\/strong><\/h4>\n

<\/h4>\n

> \u201ePentru mine, a fi un artist non-binar \u00eenseamn\u0103 s\u0103 ne facem existen\u021ba vizibil\u0103 \u0219i s\u0103 sus\u021binem ideile prin art\u0103, chiar \u0219i \u00een moduri subtile.\u201d<\/span><\/p>\n

 <\/p>\n

Charly explic\u0103 faptul c\u0103 activismul nu este frontal, ci este \u00eenr\u0103d\u0103cinat \u00een actul artistic \u00een sine.<\/span><\/p>\n

Prin munca lor, \u00ee\u0219i propun s\u0103 fac\u0103 vizibile corpurile non-binare \u2014 s\u0103 le ofere un loc at\u00e2t \u00een \u200b\u200bimagina\u021bia artistic\u0103, c\u00e2t \u0219i \u00een spa\u021biul public.<\/span><\/p>\n

Arta lor devine o form\u0103 de activism, o modalitate de a exista pe deplin, dincolo de categorii \u0219i dincolo de privirile normative.<\/span><\/p>\n

<\/h4>\n

–<\/span><\/p>\n

<\/h4>\n

Corpul ca spa\u021biu al libert\u0103\u021bii<\/strong><\/h4>\n

<\/h4>\n

> \u201e\u00cen munca mea artistic\u0103, \u00eemi folosesc corpul \u00een mod deliberat ca pe un obiect. Pozez nud \u0219i \u00eemi place s\u0103 m\u0103 joc cu formele, curbele sale\u2026\u201d<\/span><\/p>\n

 <\/p>\n

Charly este un model de via\u021b\u0103, o practic\u0103 pe care o descriu ca o stare meditativ\u0103, aproape asem\u0103n\u0103toare transei.<\/span><\/p>\n

Departe de sexualizare, corpul lor devine un obiect de art\u0103, o colec\u021bie de forme \u0219i linii eliberate de gen, de frumuse\u021be \u0219i ur\u00e2\u021benie, de feminitate \u0219i masculinitate.<\/span><\/p>\n

<\/h4>\n

> \u201eCeea ce iubesc este privirea artistic\u0103 asupra corpului \u2014 faptul c\u0103 nu mai este un obiect al dorin\u021bei sexuale, ci un obiect de art\u0103. \u00cen acel moment, frumuse\u021bea \u0219i ur\u00e2\u021benia nu mai exist\u0103, feminitatea \u0219i masculinitatea nu mai exist\u0103. Ceea ce r\u0103m\u00e2ne este frumuse\u021bea pur\u0103 a formei.\u201d<\/span><\/p>\n

 <\/p>\n

\u00cen aceast\u0103 practic\u0103, corpul devine un spa\u021biu al transcenden\u021bei:<\/span><\/p>\n

<\/h4>\n

> \u201eC\u00e2nd pozez, simt c\u0103 dep\u0103\u0219esc normele. Este o libertate total\u0103. M\u0103 simt cu adev\u0103rat v\u0103zut a\u0219a cum sunt: \u200b\u200bun corp f\u0103r\u0103 denomina\u021biune.\u201d<\/span><\/p>\n

 <\/p>\n

Charly \u00ee\u0219i \u00eemp\u0103rt\u0103\u0219e\u0219te munca pe Instagram: @charly_wayan.<\/span><\/p>\n

<\/h4>\n

–<\/span><\/p>\n

<\/h4>\n

Discriminare \u0219i percep\u021bie<\/strong><\/h4>\n

<\/h4>\n

> \u201eNu, nu m-am sim\u021bit niciodat\u0103 discriminat \u2014 poate pentru c\u0103 non-binaritatea mea nu este ceva ce oamenii \u00abv\u0103d\u00bb imediat.\u201d<\/span><\/p>\n

 <\/p>\n

Charly explic\u0103 faptul c\u0103 aspectul nu provoac\u0103, de obicei, respingere.<\/span><\/p>\n

Sunt adesea percepute ca persoane \u201efeministe\u201d mai degrab\u0103 dec\u00e2t ca fiind queer \u2014 o interpretare gre\u0219it\u0103 care nu le deranjeaz\u0103, deoarece este \u0219i adev\u0103rat\u0103.<\/span><\/p>\n

<\/h4>\n

> \u201ePersoanele queer, \u00eens\u0103, m\u0103 recunosc \u00eentotdeauna imediat.\u201d<\/span><\/p>\n

<\/h4>\n

\u2014<\/span><\/p>\n

Siguran\u021b\u0103 \u0219i vulnerabilitate<\/strong><\/h4>\n

<\/h4>\n

\u00cen general, Charly se simte \u00een siguran\u021b\u0103 \u00een munca sa artistic\u0103, chiar \u0219i atunci c\u00e2nd pozeaz\u0103 \u00een str\u0103in\u0103tate:<\/span><\/p>\n

<\/h4>\n

> \u201eChiar \u0219i \u00een \u021b\u0103rile cu tradi\u021bii musulmane, nu am avut niciodat\u0103 probleme \u00een a fi un model de via\u021b\u0103.\u201d<\/span><\/p>\n

 <\/p>\n

Totu\u0219i, anumite situa\u021bii pot fi totu\u0219i incomode:<\/span><\/p>\n

<\/h4>\n

> \u201eM\u0103 simt \u00een nesiguran\u021b\u0103 c\u00e2nd cineva vine s\u0103-mi ating\u0103 corpul \u00een timp ce pozez sau m\u0103 \u00eentrerupe pentru a cere o poz\u0103 care s\u0103-i \u00eendeplineasc\u0103 dorin\u021ba. Am lucrat la pozi\u021biile mele \u00een prealabil – \u0219tiu ce vreau s\u0103 ofer.\u201d<\/span><\/p>\n

 <\/p>\n

Aceste momente ne reamintesc c\u0103, chiar \u0219i \u00een contexte artistice, consim\u021b\u0103m\u00e2ntul r\u0103m\u00e2ne fundamental.<\/span><\/p>\n

<\/h4>\n

–<\/span><\/p>\n

<\/h4>\n

Vizibilitate \u2014 sau nu<\/strong><\/h4>\n

<\/h4>\n

> \u201e\u00cen acest domeniu, nu ascund c\u0103 sunt non-binar, dar nici nu scot \u00een eviden\u021b\u0103 acest lucru.\u201d<\/span><\/p>\n

 <\/p>\n

Identitatea lor este men\u021bionat\u0103 \u00een biografia lor \u0219i pe re\u021belele sociale, dar Charly nu simte nevoia s\u0103 vorbeasc\u0103 despre ea \u00een fiecare context:<\/span><\/p>\n

<\/h4>\n

> \u201eDac\u0103 \u00eemi vine \u00een minte, voi vorbi despre asta f\u0103r\u0103 nicio problem\u0103. Dar dac\u0103 nu, nu simt nevoia s\u0103 o aduc eu \u00eensumi \u00een discu\u021bie.\u201d<\/span><\/p>\n

 <\/p>\n

Pentru ei, vizibilitatea este o alegere contextual\u0103, nu o obliga\u021bie.<\/span><\/p>\n

<\/h4>\n

–<\/span><\/p>\n

<\/h4>\n

Tranzi\u021bie \u0219i crea\u021bie: procese interconectate<\/strong><\/h4>\n

<\/h4>\n

> \u201ePentru mine, nimic nu s-a schimbat cu adev\u0103rat \u2014 munca mea artistic\u0103 a f\u0103cut \u00eentotdeauna parte din evolu\u021bia \u0219i acceptarea mea de sine. Totul este conectat.\u201d<\/span><\/p>\n

 <\/p>\n

Charly nu separ\u0103 parcursul lor artistic de drumul lor personal.<\/span><\/p>\n

Crea\u021bia \u00eens\u0103\u0219i devine spa\u021biul tranzi\u021biei \u2014 un spa\u021biu pentru a construi, a observa, a te recunoa\u0219te pe tine \u00eensu\u021bi.<\/span><\/p>\n

<\/h4>\n

–<\/span><\/p>\n

<\/h4>\n

Puterea transformatoare a artei<\/strong><\/h4>\n

<\/h4>\n

> \u201eDa, cred cu t\u0103rie c\u0103 instruirea \u00een artele spectacolului poate \u00eembun\u0103t\u0103\u021bi via\u021ba persoanelor trans \u0219i non-binare.\u201d<\/span><\/p>\n

 <\/p>\n

Pentru Charly, arta este at\u00e2t un instrument educa\u021bional, c\u00e2t \u0219i un catalizator social:<\/span><\/p>\n

<\/h4>\n

> \u201ePrin prezentarea diversit\u0103\u021bii corpurilor \u0219i mi\u0219c\u0103rilor, prin f\u0103c\u00e2nd persoanele trans \u0219i enby mai vizibile, ajut\u0103m societatea s\u0103 le accepte \u00een spa\u021biile publice. Arta are o puternic\u0103 putere educa\u021bional\u0103 – este un marker al timpului \u0219i al culturii. Este esen\u021bial ca comunitatea noastr\u0103 s\u0103 participe la aceasta, pentru a l\u0103sa o urm\u0103 pentru genera\u021biile viitoare.\u201d<\/span><\/p>\n

<\/h4>\n

–<\/span><\/p>\n

<\/h4>\n

Pentru o lume artistic\u0103 mai sigur\u0103 \u0219i mai dreapt\u0103<\/strong><\/h4>\n

<\/h4>\n

> \u201eTrebuie s\u0103 form\u0103m profesioni\u0219ti din domeniul artistic \u00een domeniul diversit\u0103\u021bii \u0219i toleran\u021bei, s\u0103 cre\u0219tem finan\u021barea pentru arti\u0219tii trans \u0219i non-binari \u0219i s\u0103 aplic\u0103m sanc\u021biuni reale \u00eempotriva discrimin\u0103rii.\u201d<\/span><\/p>\n

 <\/p>\n

Charly solicit\u0103, de asemenea, crearea unei re\u021bele artistice queer puternice \u0219i conectate, una care s\u0103 poat\u0103 partaja resurse, s\u0103 sprijine arti\u0219tii marginaliza\u021bi \u0219i s\u0103 transforme peisajul artelor performative \u00eentr-un mod durabil.<\/span><\/p>\n

<\/h4>\n

–<\/span><\/p>\n

<\/h4>\n

Copil\u0103ria \u0219i con\u0219tiin\u021ba de sine<\/strong><\/h4>\n

<\/h4>\n

> \u201eAm fost desemnat femeie la na\u0219tere, dar \u00een magazine oamenii \u00eemi spuneau \u00abb\u0103ie\u021bel\u00bb. Eram tuns tip scoc \u0219i purtam hainele fra\u021bilor mei mai mari \u2014 din motive economice. Nu-mi pl\u0103cea asta. Nu-mi pl\u0103cea s\u0103 mi se spun\u0103 cine sunt.\u201d<\/span><\/p>\n

 <\/p>\n

\u00cen copil\u0103rie, Charly respecta ritualurile de gen din jurul lor:<\/span><\/p>\n

<\/h4>\n

> \u201eAm privit-o pe mama cum \u00ee\u0219i f\u0103cea ritualurile feminine \u2014 machiaj, epilare cu cear\u0103, haine sexy \u2014 \u0219i m-a dezgustat. Pe de alt\u0103 parte, l-am admirat pe tat\u0103l meu, ritualul lui de b\u0103rbierit, crema, cravata… Mi s-a p\u0103rut frumos \u0219i bl\u00e2nd.\u201d<\/span><\/p>\n

 <\/p>\n

O amintire \u00eemi iese \u00een eviden\u021b\u0103 \u00een mod viu:<\/span><\/p>\n

<\/h4>\n

> \u201e\u00centr-o zi, am vrut s\u0103 fiu ca el. Mi-am ras fa\u021ba \u0219i m-am t\u0103iat. Pl\u00e2ng\u00e2nd, i-am spus: \u00abAm vrut s\u0103 fac ca tine\u00bb. Nu m-a certat – doar a avut grij\u0103 de mine.\u201d<\/span><\/p>\n

<\/h4>\n

–<\/span><\/p>\n

<\/h4>\n

Mesaj pentru cei care \u00ee\u0219i \u00eencep c\u0103l\u0103toria<\/strong><\/h4>\n

<\/h4>\n

> \u201eNu e\u0219ti singur \u00een acest proces. Po\u021bi fi m\u00e2ndru c\u0103 ai \u00eenceput acest drum. Ai \u00eencredere \u00een tine – e\u0219ti legitim \u00een ceea ce g\u00e2nde\u0219ti \u0219i sim\u021bi.\u201d<\/span><\/p>\n

 <\/p>\n

Charly \u00eencheie cu un mesaj plin de speran\u021b\u0103 \u0219i convingere:<\/span><\/p>\n

<\/h4>\n

> \u201eAi dreptul s\u0103 te \u00eendoie\u0219ti, s\u0103 te r\u0103zg\u00e2nde\u0219ti, s\u0103 evoluezi. Ai dreptul s\u0103 fii cine vrei s\u0103 fii \u0219i cum vrei s\u0103 fii. E\u0219ti frumos a\u0219a cum e\u0219ti \u2014 e\u0219ti cel mai normal lucru de pe aceast\u0103 planet\u0103. A\u0219 spune chiar: tu e\u0219ti viitorul umanit\u0103\u021bii. Cred cu t\u0103rie asta.\u201d<\/span><\/p>\n

<\/h4>\n

Not\u0103 editorial\u0103<\/strong><\/h5>\n

Acest interviu a fost realizat \u0219i scris de Fabio pentru proiectul TRANScenDANCE, cofinan\u021bat de Programul Erasmus+ al Uniunii Europene.<\/span><\/p>\n

Prin c\u0103l\u0103toria lui Charly, un model de via\u021b\u0103 non-binar \u0219i artist, aceast\u0103 \u00eent\u00e2lnire pune sub semnul \u00eentreb\u0103rii frumuse\u021bea, vizibilitatea \u0219i libertatea corporal\u0103 dincolo de orice categorie.<\/span><\/p>\n

Charly ne invit\u0103 s\u0103 privim diferit \u2014 s\u0103 percepem corpul ca pe o form\u0103 pur\u0103, eliberat\u0103 de gen \u0219i sexualizare, unde arta devine un spa\u021biu al adev\u0103rului \u0219i al p\u0103cii interioare.<\/span><\/p>\n

O reflec\u021bie luminoas\u0103 asupra toleran\u021bei, reprezent\u0103rii \u0219i puterii transformatoare a privirii artistice.<\/span><\/p>\n

<\/h4>\n

Fabio, pentru proiectul TRANScenDANCE<\/span><\/p>\n

\u00a9 Proiectul TRANScenDANCE \u2013 Erasmus+ 2025<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":3409,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","format":"standard","meta":{"footnotes":""},"portfolio_category":[],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-3806","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.trans-cen-dance.eu\/ro\/wp-json\/wp\/v2\/avada_portfolio\/3806","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.trans-cen-dance.eu\/ro\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.trans-cen-dance.eu\/ro\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.trans-cen-dance.eu\/ro\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.trans-cen-dance.eu\/ro\/wp-json\/wp\/v2\/comments?post=3806"}],"version-history":[{"count":1,"href":"https:\/\/www.trans-cen-dance.eu\/ro\/wp-json\/wp\/v2\/avada_portfolio\/3806\/revisions"}],"predecessor-version":[{"id":3807,"href":"https:\/\/www.trans-cen-dance.eu\/ro\/wp-json\/wp\/v2\/avada_portfolio\/3806\/revisions\/3807"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.trans-cen-dance.eu\/ro\/wp-json\/wp\/v2\/media\/3409"}],"wp:attachment":[{"href":"https:\/\/www.trans-cen-dance.eu\/ro\/wp-json\/wp\/v2\/media?parent=3806"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.trans-cen-dance.eu\/ro\/wp-json\/wp\/v2\/portfolio_category?post=3806"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.trans-cen-dance.eu\/ro\/wp-json\/wp\/v2\/portfolio_skills?post=3806"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.trans-cen-dance.eu\/ro\/wp-json\/wp\/v2\/portfolio_tags?post=3806"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}